Bird Raptures

By Christina Rossetti

The sunrise wakes the lark to sing,
The moonrise wakes the nightingale.
Come darkness, moonrise, everything
That is so silent, sweet, and pale,
Come, so ye wake the nightingale.

Make haste to mount, thou wistful moon,
Make haste to wake the nightingale:
Let silence set the world in tune
To hearken to that wordless tale
Which warbles from the nightingale.

O herald skylark, stay thy flight
One moment, for a nightingale
Floods us with sorrow and delight.
To-morrow thou shalt hoist the sail;
Leave us to-night the nightingale.

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A Daughter of Eve

By Christina Rossetti

A fool I was to sleep at noon,
And wake when night is chilly
Beneath the comfortless cold moon;
A fool to pluck my rose too soon,
A fool to snap my lily.
My garden-plot I have not kept;
Faded and all-forsaken,
I weep as I have never wept:
Oh it was summer when I slept,
It’s winter now I waken.
Talk what you please of future spring
And sun-warm’d sweet to-morrow:–
Stripp’d bare of hope and everything,
No more to laugh, no more to sing,
I sit alone with sorrow.

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Joy and Sorrow

Kahlil Gibran

From The Prophet

THEN a woman said, Speak to us of Joy and Sorrow.

And he answered:

Your joy is your sorrow unmasked.

And the selfsame well from which your laughter
rises was often times filled with your tears.

And how else can it be?

The deeper that sorrow carves into your
being, the more joy you can contain.

Is not the cup that holds your wine the very
cup that was burned in the potter’s oven?

And is not the lute that soothes your spirit,
the very wood that was hollowed with knives?

When you are joyous, look deep into your heart
and you shall find it is only that which has given
you sorrow that is giving you joy.

When you are sorrowful look again in your heart,
and you shall see that in truth you are weeping

for that which has been your delight.

Some of you say, “Joy is greater than sorrow,”
and others say, “Nay, sorrow is the greater.”
But I say unto you, they are inseparable.

Together they come, and when one sits alone with
you at your board, remember that the other is
asleep upon your bed.

Verily you are suspended like scales
between your sorrow and your joy.

Only when you are empty are you at
standstill and balanced.

When the treasure-keeper lifts you to weigh
his gold and his silver, needs must your joy
or your sorrow rise or fall.

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Sonnets from the Portuguese – 36 to 40

Elizabeth Barrett Browning

XXXVI

When we met first and loved, I did not build
Upon the event with marble. Could it mean
To last, a love set pendulous between
Sorrow and sorrow? Nay, I rather thrilled,
Distrusting every light that seemed to gild
The onward path, and feared to overlean
A finger even. And, though I have grown serene
And strong since then, I think that God has willed
A still renewable fear . . . O love, O troth . . .
Lest these enclasped hands should never hold,
This mutual kiss drop down between us both
As an unowned thing, once the lips being cold.
And Love, be false! if he, to keep one oath,
Must lose one joy, by his life’s star foretold.

 XXXVII

Pardon, oh, pardon, that my soul should make,
Of all that strong divineness which I know
For thine and thee, an image only so
Formed of the sand, and fit to shift and break.
It is that distant years which did not take
Thy sovranty, recoiling with a blow,
Have forced my swimming brain to undergo
Their doubt and dread, and blindly to forsake
Thy purity of likeness and distort
Thy worthiest love to a worthless counterfeit:
As if a shipwrecked Pagan, safe in port,
His guardian sea-god to commemorate,
Should set a sculptured porpoise, gills a-snort
And vibrant tail, within the temple-gate.

XXXVIII

First time he kissed me, he but only kissed
The fingers of this hand wherewith I write;
And ever since, it grew more clean and white,
Slow to world-greetings, quick with its “Oh, list,”
When the angels speak. A ring of amethyst
I could not wear here, plainer to my sight,
Than that first kiss. The second passed in height
The first, and sought the forehead, and half missed,
Half falling on the hair. O beyond meed!
That was the chrism of love, which love’s own crown,
With sanctifying sweetness, did precede.
The third upon my lips was folded down
In perfect, purple state; since when, indeed,
I have been proud and said, “My love, my own.”

XXXIX

Because thou hast the power and own’st the grace
To look through and behind this mask of me
(Against which years have beat thus blanchingly
With their rains), and behold my soul’s true face,
The dim and weary witness of life’s race,–
Because thou hast the faith and love to see,
Through that same soul’s distracting lethargy,
The patient angel waiting for a place
In the new Heavens,–because nor sin nor woe,
Nor God’s infliction, nor death’s neighborhood,
Nor all which others viewing, turn to go,
Nor all which makes me tired of all, self-viewed,–
Nothing repels thee, . . . Dearest, teach me so
To pour out gratitude, as thou dost, good!

 XL

Oh, yes! they love through all this world of ours!
I will not gainsay love, called love forsooth.
I have heard love talked in my early youth,
And since, not so long back but that the flowers
Then gathered, smell still. Mussulmans and Giaours
Throw kerchiefs at a smile, and have no ruth
For any weeping. Polypheme’s white tooth
Slips on the nut if, after frequent showers,
The shell is over-smooth,–and not so much
Will turn the thing called love, aside to hate
Or else to oblivion. But thou art not such
A lover, my Beloved! thou canst wait
Through sorrow and sickness, to bring souls to touch,
And think it soon when others cry “Too late.”

 

Sonnets from the Portuguese – 11 to 15

Elizabeth Barrett Browning

XI

And therefore if to love can be desert,
I am not all unworthy. Cheeks as pale
As these you see, and trembling knees that fail
To bear the burden of a heavy heart,–
This weary minstrel-life that once was girt
To climb Aornus, and can scarce avail
To pipe now ‘gainst the valley nightingale
A melancholy music,–why advert
To these things? O Beloved, it is plain
I am not of thy worth nor for thy place!
And yet, because I love thee, I obtain
From that same love this vindicating grace,
To live on still in love, and yet in vain,–
To bless thee, yet renounce thee to thy face.

XII

Indeed this very love which is my boast,
And which, when rising up from breast to brow,
Doth crown me with a ruby large enow
To draw men’s eyes and prove the inner cost,–
This love even, all my worth, to the uttermost,
I should not love withal, unless that thou
Hadst set me an example, shown me how,
When first thine earnest eyes with mine were crossed,
And love called love. And thus, I cannot speak
Of love even, as a good thing of my own:
Thy soul hath snatched up mine all faint and weak,
And placed it by thee on a golden throne,–
And that I love (O soul, we must be meek!)
Is by thee only, whom I love alone.

XIII

And wilt thou have me fashion into speech
The love I bear thee, finding words enough,
And hold the torch out, while the winds are rough,
Between our faces, to cast light on each?–
I drop it at thy feet. I cannot teach
My hand to hold my spirit so far off
From myself–me–that I should bring thee proof
In words, of love hid in me out of reach.
Nay, let the silence of my womanhood
Commend my woman-love to thy belief,–
Seeing that I stand unwon, however wooed,
And rend the garment of my life, in brief,
By a most dauntless, voiceless fortitude,
Lest one touch of this heart convey its grief

XIV

If thou must love me, let it be for nought
Except for love’s sake only. Do not say
“I love her for her smile–her look–her way
Of speaking gently,–for a trick of thought
That falls in well with mine, and certes brought
A sense of pleasant ease on such a day”–
For these things in themselves, Beloved, may
Be changed, or change for thee,–and love, so wrought,
May be unwrought so. Neither love me for
Thine own dear pity’s wiping my cheeks dry,–
A creature might forget to weep, who bore
Thy comfort long, and lose thy love thereby!
But love me for love’s sake, that evermore
Thou mayst love on, through love’s eternity.

 XV

Accuse me not, beseech thee, that I wear
Too calm and sad a face in front of thine;
For we two look two ways, and cannot shine
With the same sunlight on our brow and hair.
On me thou lookest with no doubting care,
As on a bee shut in a crystalline;
Since sorrow hath shut me safe in love’s divine,
And to spread wing and fly in the outer air
Were most impossible failure, if I strove
To fail so. But I look on thee–on thee–
Beholding, besides love, the end of love,
Hearing oblivion beyond memory;
As one who sits and gazes from above,
Over the rivers to the bitter sea.