Sunday Morning

By Wallace Stevens

1
Complacencies of the peignoir, and late
Coffee and oranges in a sunny chair,
And the green freedom of a cockatoo
Upon a rug mingle to dissipate
The holy hush of ancient sacrifice.
She dreams a little, and she feels the dark
Encroachment of that old catastrophe,
As a calm darkens among water-lights.
The pungent oranges and bright, green wings
Seem things in some procession of the dead,
Winding across wide water, without sound.
The day is like wide water, without sound.
Stilled for the passing of her dreaming feet
Over the seas, to silent Palestine,
Dominion of the blood and sepulchre.

2
Why should she give her bounty to the dead?
What is divinity if it can come
Only in silent shadows and in dreams?
Shall she not find in comforts of the sun,
In pungent fruit and bright green wings, or else
In any balm or beauty of the earth,
Things to be cherished like the thought of heaven?
Divinity must live within herself:
Passions of rain, or moods in falling snow;
Grievings in loneliness, or unsubdued
Elations when the forest blooms; gusty
Emotions on wet roads on autumn nights;
All pleasures and all pains, remembering
The bough of summer and the winter branch.
These are the measure destined for her soul.

3
Jove in the clouds had his inhuman birth.
No mother suckled him, no sweet land gave
Large-mannered motions to his mythy mind.
He moved among us, as a muttering king,
Magnificent, would move among his hinds,
Until our blood, commingling, virginal,
With heaven, brought such requital to desire
The very hinds discerned it, in a star.
Shall our blood fail? Or shall it come to be
The blood of paradise? And shall the earth
Seem all of paradise that we shall know?
The sky will be much friendlier then than now,
A part of labor and a part of pain,
And next in glory to enduring love,
Not this dividing and indifferent blue.

4
She says, “I am content when wakened birds,
Before they fly, test the reality
Of misty fields, by their sweet questionings;
But when the birds are gone, and their warm fields
Return no more, where, then, is paradise?”
There is not any haunt of prophecy,
Nor any old chimera of the grave,
Neither the golden underground, nor isle
Melodious, where spirits gat them home,
Nor visionary south, nor cloudy palm
Remote on heaven’s hill, that has endured
As April’s green endures; or will endure
Like her remembrance of awakened birds,
Or her desire for June and evening, tipped
By the consummation of the swallow’s wings.

5
She says, “But in contentment I still feel
The need of some imperishable bliss.”
Death is the mother of beauty; hence from her,
Alone, shall come fulfillment to our dreams
And our desires. Although she strews the leaves
Of sure obliteration on our paths,
The path sick sorrow took, the many paths
Where triumph rang its brassy phrase, or love
Whispered a little out of tenderness,
She makes the willow shiver in the sun
For maidens who were wont to sit and gaze
Upon the grass, relinquished to their feet.
She causes boys to pile new plums and pears
On disregarded plate. The maidens taste
And stray impassioned in the littering leaves.

6
Is there no change of death in paradise?
Does ripe fruit never fall? Or do the boughs
Hang always heavy in that perfect sky,
Unchanging, yet so like our perishing earth,
With rivers like our own that seek for seas
They never find, the same receding shores
That never touch with inarticulate pang?
Why set pear upon those river-banks
Or spice the shores with odors of the plum?
Alas, that they should wear our colors there,
The silken weavings of our afternoons,
And pick the strings of our insipid lutes!
Death is the mother of beauty, mystical,
Within whose burning bosom we devise
Our earthly mothers waiting, sleeplessly.

7
Supple and turbulent, a ring of men
Shall chant in orgy on a summer morn
Their boisterous devotion to the sun,
Not as a god, but as a god might be,
Naked among them, like a savage source.
Their chant shall be a chant of paradise,
Out of their blood, returning to the sky;
And in their chant shall enter, voice by voice,
The windy lake wherein their lord delights,
The trees, like serafin, and echoing hills,
That choir among themselves long afterward.
They shall know well the heavenly fellowship
Of men that perish and of summer morn.
And whence they came and whither they shall go
The dew upon their feet shall manifest.

8
She hears, upon that water without sound,
A voice that cries, “The tomb in Palestine
Is not the porch of spirits lingering.
It is the grave of Jesus, where he lay.”
We live in an old chaos of the sun,
Or old dependency of day and night,
Or island solitude, unsponsored, free,
Of that wide water, inescapable.
Deer walk upon our mountains, and the quail
Whistle about us their spontaneous cries;
Sweet berries ripen in the wilderness;
And, in the isolation of the sky,
At evening, casual flocks of pigeons make
Ambiguous undulations as they sink,
Downward to darkness, on extended wings.”

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A Zero-Circle

By Rumi

Be helpless and dumbfounded,
unable to say yes or no.
Then a stretcher will come
from grace to gather us up.

We are too dulleyed to see the beauty.
If we say Yes we can we’ll be lying.

If we say No, we don’t see it,
that No will behead us
and shut tight the window into spirit.

So let us not be sure of anything,
beside ourselves, and only that, so
miraculous beings come running to help.

Crazed, lying in a zero-circle, mute,
we will be saying finally,
with tremendous eloquence, Lead us.

When we’ve totally surrendered to that beauty,
we’ll become a mighty kindness.

 

From Say I am You
Poetry Interspersed with Stories of Rumi and Shams
Translated by John Moyne and Coleman Barks

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You Worry Too Much

By Rumi

Oh soul,
you worry too much.
You say,
I make you feel dizzy.
Of a little headache then,
why do you worry?
You say, I am your antelope.
Of seeing a lion here and there
why do you worry?
Oh soul,
you worry too much.
You say, I am your moon-faced beauty.
Of the cycles of the moon and
passing of the years,
why do you worry?
You say, I am your source of passion,
I excite you.
Of playing into the Devils hand,
why do you worry?
Oh soul,
you worry too much.
Look at yourself,
what you have become.
You are now a field of sugar canes,
why show that sour face to me?
You have tamed the
winged horse of Love.
Of a death of a donkey,
why do you worry?
You say that I keep you warm inside.
Then why this cold sigh?
You have gone to the roof of heavens.
Of this world of dust, why do you worry?
Oh soul,
you worry too much.
Since you met me,
you have become a master singer,
and are now a skilled wrangler,
you can untangle any knot.
Of life’s little leash
why do you worry?
Your arms are heavy
with treasures of all kinds.
About poverty,
why do you worry?
You are Joseph,
beautiful, strong,
steadfast in your belief,
all of Egypt has become drunk
because of you.
Of those who are blind to your beauty,
and deaf to your songs,
why do you worry?
Oh soul,
you worry too much.
You say that your housemate is the
Heart of Love,
she is your best friend.
You say that you are the heat of
the oven of every Lover.
You say that you are the servant of
Ali’s magical sword, Zolfaghar.
Of any little dagger
why do you still worry?
Oh soul,
you worry too much.
You have seen your own strength.
You have seen your own beauty.
You have seen your golden wings.
Of anything less,
why do you worry?
You are in truth
the soul, of the soul, of the soul.
You are the security,
the shelter of the spirit of Lovers.
Oh the sultan of sultans,
of any other king,
why do you worry?
Be silent, like a fish,
and go into that pleasant sea.
You are in deep waters now,
of life’s blazing fire.
Why do you worry?

From: Hush Don’t Say Anything to God: Passionate Poems of Rumi
Translated by Sharam Shiva

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Genius in Beauty

By Dante Gabriel Rossetti

Beauty like hers is genius. Not the call
Of Homer’s or of Dante’s heart sublime,–
Not Michael’s hand furrowing the zones of time,–
Is more with compassed mysteries musical;
Nay, not in Spring’s Summer’s sweet footfall
More gathered gifts exuberant Life bequeaths
Than doth this sovereign face, whose love-spell breathes
Even from its shadowed contour on the wall.

As many men are poets in their youth,
But for one sweet-strung soul the wires prolong
Even through all change the indomitable song;
So in likewise the envenomed years, whose tooth
Rends shallower grace with ruin void of ruth,
Upon this beauty’s power shall wreak no wrong.

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With My Beloved Alone

By Rabia

With my Beloved I alone have been,
When secrets tenderer than evening airs
Passed, and the Vision blest
Was granted to my prayers,
That crowned me, else obscure, with endless fame;
The while amazed between
His Beauty and His Majesty
I stood in silent ecstasy
Revealing that which o’er my spirit went and came.
Lo, in His face commingled
Is every charm and grace;
The whole of Beauty singled
Into a perfect face
Beholding Him would cry,
‘There is no God but He, and He is the most High.’

Translator unknown

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A Tear And A Smile

 

Kahlil Gibran

I would not exchange the sorrows of my heart
for the joys of the multitude.
And I would not have the tears that sadness makes
to flow from my every part turn into laughter.

I would that my life remain a tear and a smile.

A tear to purify my heart and give me understanding
of life’s secrets and hidden things.
A smile to draw me nigh to the sons of my kind and
to be a symbol of my glorification of the gods.

A tear to unite me with those of broken heart;
a smile to be a sign of my joy in existence.

I would rather that I died in yearning and longing than
that I live weary and despairing.

I want the hunger for love and beauty to be in the
depths of my spirit,for I have seen those who are
satisfied the most wretched of people.
I have heard the sigh of those in yearning and longing,
and it is sweeter than the sweetest melody.

With evening’s coming the flower folds her petals
and sleeps, embracing her longing.
At morning’s approach she opens her lips to meet
the sun’s kiss.

The life of a flower is longing and fulfilment.
A tear and a smile.

The waters of the sea become vapor and rise and come
together and area cloud.

And the cloud floats above the hills and valleys
until it meets the gentle breeze, then falls weeping
to the fields and joins with brooks and rivers to return
to the sea, its home.

The life of clouds is a parting and a meeting.
A tear and a smile.

And so does the spirit become separated from
the greater spirit to move in the world of matter
and pass as a cloud over the mountain of sorrow
and the plains of joy to meet the breeze of death
and return whence it came.

To the ocean of Love and Beauty—-to God.

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